Episode 306: Hit-Boy and Nipsey Hussle

Nipsey Hussle – “Racks In the Middle” (feat. Roddy Ricch and Hit-Boy)

Hit-Boy is an award-winning producer and rapper from LA. He’s one of my all-time favorite producers, from “Backseat Freestyle” by Kendrick Lamar, to “Sicko Mode” by Travis Scott, to tracks he’s made for Beyonce, Nas, and the Jay-Z & Kanye album Watch the Throne. So I was really excited to talk to him, and when I asked him which song from his incredible catalog he wanted to talk about, I was really moved by his choice. He picked “Racks in the Middle” by Nipsey Hussle, featuring Roddy Ricch. Nipsey Hussle was a rapper and community activist from LA whose career was cut short, tragically, when he was murdered in 2019. He’d released just one album, Victory Lap. “Racks in the Middle” was the last song released in Nipsey’s lifetime. It went platinum, and a year after his death, it won the Grammy for Best Rap Performance, in 2020. This episode features a few short clips from a video that Nipsey Hussle made for the website Genius, back in 2019. But here in the studio, to tell the story, I spoke to Hit-Boy about how “Racks in the Middle” came together.

You can buy or stream “Racks In the Middle” (feat. Roddy Ricch and Hit-Boy) here.

Illustration by Carlos Lerma.

footnotes:
Dustin James Corbett – co-writer
Greg Allen Davis – co-writer
“Die Young” – Roddy Ricch
Knowledge Smith, Future, and Chalice Recording Studio
Mailbox Money – mixtape by Nipsey Hussle
“A Hunnit a Show” (feat. Rick Ross) – Nipsey Hussle
“Alert” (feat. Hit-Boy & Nipsey Hussle) – HS87
“Thuggin” (feat. Lil Boosie & Lil Cali) – Nipsey Hussle

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Episode 305: Air

“Playground Love” (feat. Gordon Tracks)

The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, Moon Safari, which was an international hit. Then they made the music for the film The Virgin Suicides, which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola’s first film. An album version of Air’s score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits, called “Playground Love.” That song featured Sofia Coppola’s future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn’t even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, who was the music supervisor of the film.

You can buy The Virgin Suicides Redux album as a CD or vinyl, and you can buy or stream “Playground Love” here.

Illustration by Carlos Lerma.

For a transcript of this episode, click here.

footnotes:
The Chateau Marmont
Redd Kross (band)
Thomas Bangalter and Daft Punk
“Highschool Lover” – Air
‘Kick,’ an album by INXS
Ringo Starr, Beck, and 10cc
“Walk on the Wild Side” by Lou Reed
Bob Dylan
“Yoghurting”

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Key Change: Rian Johnson

Wagner’s ‘Das Rheingold’

My guest today is director Rian Johnson, which is exciting for me, because I’ve been a huge fan of his ever since seeing his first feature film, Brick, in 2006. Since then, he’s made six more feature films, including Looper in 2012; Star Wars: The Last Jedi in 2017; the murder mystery Knives Out in 2019; and his most recent movie, another in the Knives Out series, Wake Up Dead Man, which is already out in theaters, and comes to Netflix on December 12. I talked to Rian about a piece of music that had a profound impact on him, which was the overture to Das Rheingold by Richard Wagner.

footnotes:
“Kill the Wabbit”
“La Traviata”
Focus Features
The Brothers Bloom
Opéra Bastille
Ring Cycle
J. R. R. Tolkien
J. J. Abrams
Terrence Malick
Nathan Johnson
Bayreuth Festival Theatre
Wagnerism: Art and Politics in the Shadow of Music by Alex Ross

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