Khruangbin is a band from Houston, Texas, who first formed in 2010. NME called them the “low key superstars” of psychedelic music. They’ve released three albums. The most recent, which came out in June 2020, is called Mordechai.

In the past, most of Khruangbin’s songs have been instrumental, or if they did have vocals, they’d be minimal. Their new album is different. It features vocals prominently, and in this episode, the three of them explain their philosophy on vocals, and their process on writing lyrics. I spoke to each of them to get their perspective on how they made the song “So We Won’t Forget.”

You can buy or stream “So We Won’t Forget” here.

Illustration by Carlos Lerma.

For a transcript of this episode, click here.

footnotes
“Khushi” – Nazia Hassan
Steve Christensen – engineer
Synare drum synthesizer
The NeverEnding Story II

The Netflix original series Dark debuted in December 2017. It’s a really mysterious, mind-bending German science fiction show with a unique tone. A big part of that tone is announced every episode with the music in the show’s opening title sequence. It’s the song “Goodbye,” by German electronic artist Apparat, the solo project of Sascha Ring. This song actually came out years ago, on the 2011 Apparat album The Devil’s Walk. Since then, before it was used as the theme song for Dark, it’s been featured in a bunch of films and commercials, and notably, in the Season 4 finale of Breaking Bad.

The final season of Dark just came out last week, so I wanted to find out how the show’s theme music was made. “Goodbye” features vocals from Anja Plaschg, an Austrian artist who makes music under the name Soap&Skin. In this episode, Sascha and Anja break down how the song was created.

You can buy or stream “Goodbye” here.

Illustration by Carlos Lerma.

For a transcript of this episode, click here.

footnotes
Dark on Netflix
“Goodbye” in Breaking Bad
Thomas Golubić, Breaking Bad music supervisor
PC Nackt, co-producer
“Mr. Gaunt Pt 1000” by Soap&Skin

The rappers Prodigy and Havoc met when they were still in high school in New York. Havoc grew up in Queensbridge, the biggest public housing projects in the country, and as a teenager, Prodigy lived there for a while, too. The two of them formed Mobb Deep in 1991.

In 1995, they put out their second album, The Infamous. It was a success when it came out, but in the 25 years since then, the influence of the album has only grown. Complex named it one of the 10 best rap albums of the 90s, and Pitchfork gave the album a rare perfect score, 10 out of 10. The Washington Post called it a “masterpiece” of hardcore rap, and in Slate, it was called one of the best albums of the ’90s, and one of the very best hip-hop albums ever made.

Their biggest song from the album was “Shook Ones, Pt. II.” Havoc made the now-legendary beat that he and Prodigy rap over. To celebrate the 25th anniversary, Havoc told me the story of how the whole song came together. Prodigy passed away in 2017 from complications due to sickle-cell anemia, a debilitating disease he’d battled his entire life. But the legacy of Mobb Deep lives on. A new, expanded, 25th anniversary edition of The Infamous just came out in April.

You can buy or stream “Shook Ones, Pt. II” here.

Illustration by Carlos Lerma.

For a transcript of this episode, click here.

footnotes
Ensoniq ASR-10 sampler
Akai MPC sampler
“Jessica” – Herbie Hancock
“Kitty with the Bent Frame” – Quincy Jones

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